Recorded answers
8,679 recorded answers
How to approach it
Work through the four catalogues separately instead of holding all of them in mind at once. Take one service, then move shelf by shelf: headline launches first, then animation, documentary, stand-up and the regional hubs that only appear once the region setting changes. Note every title carrying the service's own branding, and double-check the half-remembered ones, since plenty of films that feel like acquisitions turn out to be in-house commissions. With a shortlist ready, lean toward the entry nobody you know discusses; a plain, famous exclusive is where thousands of other entrants will land. Keep two backups in reserve in case the first pick proves to be a licence rather than a true original. Finally, confirm release year and commissioning studio on the title's own page.
Get a hint
Begin in the rows each service reserves for its own commissions, then push outward into regional, animated and documentary shelves where the marketing budget stops.
A little more
The label has been running for over a decade, so early streaming-era commissions sit beside this season's launches whenever the service released them under its own banner.
One step further
Weigh the quiet end of the catalogue: one-off specials, short-run comedies, subtitled dramas and children's animation are where the list thins and an unusual pick is easiest to defend.
Reveal answers 8,679
- The Four of UsDeep Cut85points
- The Fragrant Flower Blooms with DignityDeep Cut85points
- The Frankenstein ChroniclesDeep Cut85points
- The French MansDeep Cut85points
- The FrogDeep Cut85points
- The Frozen DeadDeep Cut85points
- The Fundamentals of CaringDeep Cut85points
- The Further Mis-Adventures of Cliff BoothDeep Cut85points
- The Future DiaryDeep Cut85points
- The Future OfDeep Cut85points
- The G Word with Adam ConoverDeep Cut85points
- The Game: You Never Play AloneDeep Cut85points
- The GardenerDeep Cut85points
- The Get DownDeep Cut85points
- The Getaway KingDeep Cut85points
- The Ghost BrideDeep Cut85points
- The Ghost in the ShellDeep Cut85points
- The Giant FallsDeep Cut85points
- The GiftDeep Cut85points
- The Gift of DeceitDeep Cut85points
- The GirlDeep Cut85points
- The Girl from OsloDeep Cut85points
- The Girl in the MirrorDeep Cut85points
- The Girl on the TrainDeep Cut85points
- The GirlfriendDeep Cut85points
- The Girlfriend ExperienceDeep Cut85points
- The Girls at the BackDeep Cut85points
- The Glass DomeDeep Cut85points
- The Glass HouseDeep Cut85points
- The GOATDeep Cut85points
- The Goes Wrong ShowDeep Cut85points
- The Golden CombiDeep Cut85points
- The Golden SpoonDeep Cut85points
- The Good Bad MotherDeep Cut85points
- The Good BanditDeep Cut85points
- The Good BossDeep Cut85points
- The Good CopDeep Cut85points
- The Good LawyerDeep Cut85points
- The Good NurseDeep Cut85points
- The Goop LabDeep Cut85points
- The Gospel of ChristmasDeep Cut85points
- The Gray HouseDeep Cut85points
- The Great British Baking Show: HolidaysDeep Cut85points
- The Great British Baking Show: JuniorsDeep Cut85points
- The Great British Baking Show: The ProfessionalsDeep Cut85points
- The Great EscapistsDeep Cut85points
- The Great FloodDeep Cut85points
- The Great HackDeep Cut85points
- The Great HeistDeep Cut85points
- The Great Indian Kapil ShowDeep Cut85points
Why these answers count
The score spread is telling. Of 8,679 recorded answers, 8,634 cleared sixty points and 8,096 of those landed on eighty-five, so almost every valid pick earned the same reward and the ranking barely separates one genuine exclusive from another. A single entrant reached one hundred, and 537 answers halted at sixty. That solitary hundred-pointer is the entire contest: a title like Comrade Detective paid off because hardly anyone else named it, whereas ¡Que viva México! and (Un)lucky Sisters collected the standard eighty-five. Fame is not what moves the number. A celebrated exclusive and a forgotten one pay identically unless the choice is genuinely rare, which is why picking something recognisable buys nothing. The 537 answers stuck at sixty most likely sit on arguable ground, where original status can be disputed through a co-production or an earlier broadcast elsewhere. To beat eighty-five you need a title so lightly discussed that you are the only entrant to mention it.