Recorded answers
8,679 recorded answers
How to approach it
Work through the four catalogues separately instead of holding all of them in mind at once. Take one service, then move shelf by shelf: headline launches first, then animation, documentary, stand-up and the regional hubs that only appear once the region setting changes. Note every title carrying the service's own branding, and double-check the half-remembered ones, since plenty of films that feel like acquisitions turn out to be in-house commissions. With a shortlist ready, lean toward the entry nobody you know discusses; a plain, famous exclusive is where thousands of other entrants will land. Keep two backups in reserve in case the first pick proves to be a licence rather than a true original. Finally, confirm release year and commissioning studio on the title's own page.
Get a hint
Begin in the rows each service reserves for its own commissions, then push outward into regional, animated and documentary shelves where the marketing budget stops.
A little more
The label has been running for over a decade, so early streaming-era commissions sit beside this season's launches whenever the service released them under its own banner.
One step further
Weigh the quiet end of the catalogue: one-off specials, short-run comedies, subtitled dramas and children's animation are where the list thins and an unusual pick is easiest to defend.
Reveal answers 8,679
- The ParamedicDeep Cut85points
- The Parisian Agency: Exclusive PropertiesDeep Cut85points
- The Park ManiacDeep Cut85points
- The Pasta QueenDeep Cut85points
- The PentaverateDeep Cut85points
- The People We Hate at the WeddingDeep Cut85points
- The Perfect DateDeep Cut85points
- The Perfect FamilyDeep Cut85points
- The Perfect FindDeep Cut85points
- The Perfect LieDeep Cut85points
- The Perfect MissDeep Cut85points
- The Perfect MotherDeep Cut85points
- The Perfect NeighborDeep Cut85points
- The PerfectionDeep Cut85points
- The PerfumierDeep Cut85points
- The PeripheralDeep Cut85points
- The Pete Davidson ShowDeep Cut85points
- The PharmacistDeep Cut85points
- The Philosopher's Kitchen Jeong KwanDeep Cut85points
- The Photographer of MauthausenDeep Cut85points
- The Photographer: Murder in PinamarDeep Cut85points
- The Piano LessonDeep Cut85points
- The Piano Lesson: Legacy and a VisionDeep Cut85points
- The PickupDeep Cut85points
- The Pigeon TunnelDeep Cut85points
- The Pimp – No F***ing FairytaleDeep Cut85points
- The Pirates: The Last Royal TreasureDeep Cut85points
- The Plagues of BreslauDeep Cut85points
- The Plastic DetoxDeep Cut85points
- The Platform 2Deep Cut85points
- The PlaybookDeep Cut85points
- The Playing Card KillerDeep Cut85points
- The PlaylistDeep Cut85points
- The PoliticianDeep Cut85points
- The Polka KingDeep Cut85points
- The PolygamistDeep Cut85points
- The Ponysitters ClubDeep Cut85points
- The Pope: AnswersDeep Cut85points
- The Post-Truth WorldDeep Cut85points
- The Postcard KillingsDeep Cut85points
- The Potato LabDeep Cut85points
- The Pradeeps of PittsburghDeep Cut85points
- The Predator of SevilleDeep Cut85points
- The Price of ConfessionDeep Cut85points
- The Price of FamilyDeep Cut85points
- The Price of Nonna's InheritanceDeep Cut85points
- The Prince of Tennis: Match! Tennis JuniorsDeep Cut85points
- The Princess Switch 3: Romancing the StarDeep Cut85points
- The Princess Switch: Switched AgainDeep Cut85points
- The Principles of PleasureDeep Cut85points
Why these answers count
The score spread is telling. Of 8,679 recorded answers, 8,634 cleared sixty points and 8,096 of those landed on eighty-five, so almost every valid pick earned the same reward and the ranking barely separates one genuine exclusive from another. A single entrant reached one hundred, and 537 answers halted at sixty. That solitary hundred-pointer is the entire contest: a title like Comrade Detective paid off because hardly anyone else named it, whereas ¡Que viva México! and (Un)lucky Sisters collected the standard eighty-five. Fame is not what moves the number. A celebrated exclusive and a forgotten one pay identically unless the choice is genuinely rare, which is why picking something recognisable buys nothing. The 537 answers stuck at sixty most likely sit on arguable ground, where original status can be disputed through a co-production or an earlier broadcast elsewhere. To beat eighty-five you need a title so lightly discussed that you are the only entrant to mention it.