Recorded answers
8,679 recorded answers
How to approach it
Work through the four catalogues separately instead of holding all of them in mind at once. Take one service, then move shelf by shelf: headline launches first, then animation, documentary, stand-up and the regional hubs that only appear once the region setting changes. Note every title carrying the service's own branding, and double-check the half-remembered ones, since plenty of films that feel like acquisitions turn out to be in-house commissions. With a shortlist ready, lean toward the entry nobody you know discusses; a plain, famous exclusive is where thousands of other entrants will land. Keep two backups in reserve in case the first pick proves to be a licence rather than a true original. Finally, confirm release year and commissioning studio on the title's own page.
Get a hint
Begin in the rows each service reserves for its own commissions, then push outward into regional, animated and documentary shelves where the marketing budget stops.
A little more
The label has been running for over a decade, so early streaming-era commissions sit beside this season's launches whenever the service released them under its own banner.
One step further
Weigh the quiet end of the catalogue: one-off specials, short-run comedies, subtitled dramas and children's animation are where the list thins and an unusual pick is easiest to defend.
Reveal answers 8,679
- Wave MakersDeep Cut85points
- WayneDeep Cut85points
- Wayne Shorter: Zero GravityDeep Cut85points
- WaywardDeep Cut85points
- We Are All Trying HereDeep Cut85points
- We Are Newcastle UnitedDeep Cut85points
- We Are OneDeep Cut85points
- We Are the ChampionsDeep Cut85points
- We Are the WaveDeep Cut85points
- We Are: The Brooklyn SaintsDeep Cut85points
- We Can Be HeroesDeep Cut85points
- We Children from Bahnhof ZooDeep Cut85points
- We Couldn't Become AdultsDeep Cut85points
- We Have a GhostDeep Cut85points
- We Lost Our HumanDeep Cut85points
- We Speak DanceDeep Cut85points
- We the PeopleDeep Cut85points
- We Were KingsDeep Cut85points
- We'll Be FineDeep Cut85points
- We're Back! With Brian WilliamsDeep Cut85points
- We're LalaloopsyDeep Cut85points
- Weak HeroDeep Cut85points
- Wear Whatever the F You WantDeep Cut85points
- WeatheringDeep Cut85points
- Web of Make Believe: Death, Lies and the InternetDeep Cut85points
- WeCrashedDeep Cut85points
- Wedding Agreement: The SeriesDeep Cut85points
- Wedding GamesDeep Cut85points
- Wedding SeasonDeep Cut85points
- Wednesday: FireplaceDeep Cut85points
- Weekend FamilyDeep Cut85points
- Weird but True!Deep Cut85points
- Welcome to EarthDeep Cut85points
- Welcome to EdenDeep Cut85points
- Welcome to El BulliDeep Cut85points
- Welcome to Samdal-riDeep Cut85points
- Welcome to the ClubDeep Cut85points
- Welcome to the FamilyDeep Cut85points
- Welcome to Wedding HellDeep Cut85points
- Welcome, Now Get LostDeep Cut85points
- Well Done BabyDeep Cut85points
- Well-Intended LoveDeep Cut85points
- WellmaniaDeep Cut85points
- Wendell & WildDeep Cut85points
- WestsideDeep Cut85points
- Wet Hot American Summer: First Day of CampDeep Cut85points
- Wet Hot American Summer: Ten Years LaterDeep Cut85points
- Wham!Deep Cut85points
- What Did Jack Do?Deep Cut85points
- What Happened to MondayDeep Cut85points
Why these answers count
The score spread is telling. Of 8,679 recorded answers, 8,634 cleared sixty points and 8,096 of those landed on eighty-five, so almost every valid pick earned the same reward and the ranking barely separates one genuine exclusive from another. A single entrant reached one hundred, and 537 answers halted at sixty. That solitary hundred-pointer is the entire contest: a title like Comrade Detective paid off because hardly anyone else named it, whereas ¡Que viva México! and (Un)lucky Sisters collected the standard eighty-five. Fame is not what moves the number. A celebrated exclusive and a forgotten one pay identically unless the choice is genuinely rare, which is why picking something recognisable buys nothing. The 537 answers stuck at sixty most likely sit on arguable ground, where original status can be disputed through a co-production or an earlier broadcast elsewhere. To beat eighty-five you need a title so lightly discussed that you are the only entrant to mention it.