Recorded answers
8,679 recorded answers
How to approach it
Work through the four catalogues separately instead of holding all of them in mind at once. Take one service, then move shelf by shelf: headline launches first, then animation, documentary, stand-up and the regional hubs that only appear once the region setting changes. Note every title carrying the service's own branding, and double-check the half-remembered ones, since plenty of films that feel like acquisitions turn out to be in-house commissions. With a shortlist ready, lean toward the entry nobody you know discusses; a plain, famous exclusive is where thousands of other entrants will land. Keep two backups in reserve in case the first pick proves to be a licence rather than a true original. Finally, confirm release year and commissioning studio on the title's own page.
Get a hint
Begin in the rows each service reserves for its own commissions, then push outward into regional, animated and documentary shelves where the marketing budget stops.
A little more
The label has been running for over a decade, so early streaming-era commissions sit beside this season's launches whenever the service released them under its own banner.
One step further
Weigh the quiet end of the catalogue: one-off specials, short-run comedies, subtitled dramas and children's animation are where the list thins and an unusual pick is easiest to defend.
Reveal answers 8,679
- Dark MatterRare60points
- Dave Chappelle: Sticks & StonesRare60points
- Dave Chappelle: The Age of SpinRare60points
- Dave Chappelle: The CloserRare60points
- David Attenborough: A Life on Our PlanetRare60points
- Dead to MeRare60points
- Dear White PeopleRare60points
- Death NoteRare60points
- Defending JacobRare60points
- Delicious in DungeonRare60points
- Dept. QRare60points
- Derry GirlsRare60points
- Designated SurvivorRare60points
- Devil May CryRare60points
- Diary of a Wimpy KidRare60points
- DickinsonRare60points
- DisenchantedRare60points
- DisenchantmentRare60points
- Do RevengeRare60points
- Doctor WhoRare60points
- Dolemite Is My NameRare60points
- Don't F**k with CatsRare60points
- Don't Look UpRare60points
- Down to Earth with Zac EfronRare60points
- Dragons: Race to the EdgeRare60points
- EchoRare60points
- El Camino: A Breaking Bad MovieRare60points
- EliteRare60points
- Emilia PérezRare60points
- Enola HolmesRare60points
- Eurovision Song Contest: The Story of Fire SagaRare60points
- Ever After HighRare60points
- ExplainedRare60points
- ExtractionRare60points
- Extraordinary Attorney WooRare60points
- F Is for FamilyRare60points
- F1Rare60points
- Falling for ChristmasRare60points
- Fate: The Winx SagaRare60points
- FaudaRare60points
- Fear StreetRare60points
- Firefly LaneRare60points
- FleabagRare60points
- Floor Is LavaRare60points
- Folklore: The Long Pond Studio SessionsRare60points
- Fool Me OnceRare60points
- For All MankindRare60points
- Formula 1: Drive to SurviveRare60points
- FoundationRare60points
- FrankensteinRare60points
Why these answers count
The score spread is telling. Of 8,679 recorded answers, 8,634 cleared sixty points and 8,096 of those landed on eighty-five, so almost every valid pick earned the same reward and the ranking barely separates one genuine exclusive from another. A single entrant reached one hundred, and 537 answers halted at sixty. That solitary hundred-pointer is the entire contest: a title like Comrade Detective paid off because hardly anyone else named it, whereas ¡Que viva México! and (Un)lucky Sisters collected the standard eighty-five. Fame is not what moves the number. A celebrated exclusive and a forgotten one pay identically unless the choice is genuinely rare, which is why picking something recognisable buys nothing. The 537 answers stuck at sixty most likely sit on arguable ground, where original status can be disputed through a co-production or an earlier broadcast elsewhere. To beat eighty-five you need a title so lightly discussed that you are the only entrant to mention it.