Krillion Recorded answers
8,679 recorded answers
How to approach it
Work through the four catalogues separately instead of holding all of them in mind at once. Take one service, then move shelf by shelf: headline launches first, then animation, documentary, stand-up and the regional hubs that only appear once the region setting changes. Note every title carrying the service's own branding, and double-check the half-remembered ones, since plenty of films that feel like acquisitions turn out to be in-house commissions. With a shortlist ready, lean toward the entry nobody you know discusses; a plain, famous exclusive is where thousands of other entrants will land. Keep two backups in reserve in case the first pick proves to be a licence rather than a true original. Finally, confirm release year and commissioning studio on the title's own page.
Get a hint
Begin in the rows each service reserves for its own commissions, then push outward into regional, animated and documentary shelves where the marketing budget stops.
A little more
The label has been running for over a decade, so early streaming-era commissions sit beside this season's launches whenever the service released them under its own banner.
One step further
Weigh the quiet end of the catalogue: one-off specials, short-run comedies, subtitled dramas and children's animation are where the list thins and an unusual pick is easiest to defend.
Reveal answers 8,679
- Countdown: Rousey vs. CaranoDeep Cut85points
- Countdown: Taylor vs. SerranoDeep Cut85points
- CounterattackDeep Cut85points
- CounterPunchDeep Cut85points
- Country ComfortDeep Cut85points
- Country Ever AfterDeep Cut85points
- Country QueenDeep Cut85points
- Court of GoldDeep Cut85points
- Courtois, the Return of the Number 1Deep Cut85points
- Coven AcademyDeep Cut85points
- Coven of SistersDeep Cut85points
- Cover-UpDeep Cut85points
- Cowboy CartelDeep Cut85points
- CowspiracyDeep Cut85points
- Crack: Cocaine, Corruption & ConspiracyDeep Cut85points
- Cracow MonstersDeep Cut85points
- Craig Ferguson: I'm Here to HelpDeep Cut85points
- Craig Ferguson: Tickle FightDeep Cut85points
- Crap HappensDeep Cut85points
- CrashDeep Cut85points
- Crash CourseDeep Cut85points
- Crash Course in RomanceDeep Cut85points
- CrashingDeep Cut85points
- Crashing EidDeep Cut85points
- CraterDeep Cut85points
- Crayon Shin-chan Spin-offDeep Cut85points
- Crazy About HerDeep Cut85points
- Crazy Awesome TeachersDeep Cut85points
- Crazy DeliciousDeep Cut85points
- Crazy LoveDeep Cut85points
- Crazy Rich, Incredibly BrokeDeep Cut85points
- CrazyheadDeep Cut85points
- Creating a Universe – The Making of Rebel MoonDeep Cut85points
- Creating an Army of the DeadDeep Cut85points
- Creating The Queen's GambitDeep Cut85points
- Creative ControlDeep Cut85points
- Creative GalaxyDeep Cut85points
- Creator's File: GoldDeep Cut85points
- CreatureDeep Cut85points
- Creeped OutDeep Cut85points
- Crew GirlDeep Cut85points
- Cricket Fever: Mumbai IndiansDeep Cut85points
- Crime 101Deep Cut85points
- Crime Diaries: Night OutDeep Cut85points
- Crime Diaries: The CandidateDeep Cut85points
- Crime Diaries: The SearchDeep Cut85points
- Crime SceneDeep Cut85points
- Crime Scene Berlin: Nightlife KillerDeep Cut85points
- Crime Scene ZeroDeep Cut85points
- Crime Scene: The Texas Killing FieldsDeep Cut85points
Why these answers count
The score spread is telling. Of 8,679 recorded answers, 8,634 cleared sixty points and 8,096 of those landed on eighty-five, so almost every valid pick earned the same reward and the ranking barely separates one genuine exclusive from another. A single entrant reached one hundred, and 537 answers halted at sixty. That solitary hundred-pointer is the entire contest: a title like Comrade Detective paid off because hardly anyone else named it, whereas ¡Que viva México! and (Un)lucky Sisters collected the standard eighty-five. Fame is not what moves the number. A celebrated exclusive and a forgotten one pay identically unless the choice is genuinely rare, which is why picking something recognisable buys nothing. The 537 answers stuck at sixty most likely sit on arguable ground, where original status can be disputed through a co-production or an earlier broadcast elsewhere. To beat eighty-five you need a title so lightly discussed that you are the only entrant to mention it.