Krillion Recorded answers
8,679 recorded answers
How to approach it
Work through the four catalogues separately instead of holding all of them in mind at once. Take one service, then move shelf by shelf: headline launches first, then animation, documentary, stand-up and the regional hubs that only appear once the region setting changes. Note every title carrying the service's own branding, and double-check the half-remembered ones, since plenty of films that feel like acquisitions turn out to be in-house commissions. With a shortlist ready, lean toward the entry nobody you know discusses; a plain, famous exclusive is where thousands of other entrants will land. Keep two backups in reserve in case the first pick proves to be a licence rather than a true original. Finally, confirm release year and commissioning studio on the title's own page.
Get a hint
Begin in the rows each service reserves for its own commissions, then push outward into regional, animated and documentary shelves where the marketing budget stops.
A little more
The label has been running for over a decade, so early streaming-era commissions sit beside this season's launches whenever the service released them under its own banner.
One step further
Weigh the quiet end of the catalogue: one-off specials, short-run comedies, subtitled dramas and children's animation are where the list thins and an unusual pick is easiest to defend.
Reveal answers 8,679
- Elisa & MarcelaDeep Cut85points
- Elisabeth Rioux: UnfilteredDeep Cut85points
- Elite ForceDeep Cut85points
- Elite Short StoriesDeep Cut85points
- Elizabeth WindsorDeep Cut85points
- Elize Matsunaga: Once Upon a CrimeDeep Cut85points
- Elize: Shadows of a WomanDeep Cut85points
- ElleDeep Cut85points
- Ellen DeGeneres: For Your ApprovalDeep Cut85points
- Ellen DeGeneres: RelatableDeep Cut85points
- Ellyas PicalDeep Cut85points
- Elmo and Mark Rober's Merry GiftmasDeep Cut85points
- Eloá the Hostage: Live on TVDeep Cut85points
- Elton John Live: Farewell From Dodger StadiumDeep Cut85points
- Elton John: Never Too LateDeep Cut85points
- ElvesDeep Cut85points
- Elvis & NixonDeep Cut85points
- ElwayDeep Cut85points
- EmancipationDeep Cut85points
- Embrace the Panda: Making Turning RedDeep Cut85points
- EmergencyDeep Cut85points
- Emergency: NYCDeep Cut85points
- Emi Martínez: The Kid Who Stops TimeDeep Cut85points
- Emicida: AmarElo – It's All for YesterdayDeep Cut85points
- Emicida: AmarElo – Live in São PauloDeep Cut85points
- Emily's Wonder LabDeep Cut85points
- Empire GamesDeep Cut85points
- Empress of FlamesDeep Cut85points
- En finDeep Cut85points
- En Svedig DateDeep Cut85points
- Encanto at the Hollywood BowlDeep Cut85points
- Encore!Deep Cut85points
- EncounterDeep Cut85points
- EncountersDeep Cut85points
- End GameDeep Cut85points
- End of the LineDeep Cut85points
- End of the RoadDeep Cut85points
- EnemiesDeep Cut85points
- Engga HostelDeep Cut85points
- Enissa Amani: EhrenwortDeep Cut85points
- Enola Holmes 2Deep Cut85points
- Enola Holmes 3Deep Cut85points
- Enter the AnimeDeep Cut85points
- EntergalacticDeep Cut85points
- EntrappedDeep Cut85points
- EntrepreneursDeep Cut85points
- EnviousDeep Cut85points
- Epic Adventures with Bertie GregoryDeep Cut85points
- EquinoxDeep Cut85points
- ErasedDeep Cut85points
Why these answers count
The score spread is telling. Of 8,679 recorded answers, 8,634 cleared sixty points and 8,096 of those landed on eighty-five, so almost every valid pick earned the same reward and the ranking barely separates one genuine exclusive from another. A single entrant reached one hundred, and 537 answers halted at sixty. That solitary hundred-pointer is the entire contest: a title like Comrade Detective paid off because hardly anyone else named it, whereas ¡Que viva México! and (Un)lucky Sisters collected the standard eighty-five. Fame is not what moves the number. A celebrated exclusive and a forgotten one pay identically unless the choice is genuinely rare, which is why picking something recognisable buys nothing. The 537 answers stuck at sixty most likely sit on arguable ground, where original status can be disputed through a co-production or an earlier broadcast elsewhere. To beat eighty-five you need a title so lightly discussed that you are the only entrant to mention it.