Krillion Recorded answers
8,679 recorded answers
How to approach it
Work through the four catalogues separately instead of holding all of them in mind at once. Take one service, then move shelf by shelf: headline launches first, then animation, documentary, stand-up and the regional hubs that only appear once the region setting changes. Note every title carrying the service's own branding, and double-check the half-remembered ones, since plenty of films that feel like acquisitions turn out to be in-house commissions. With a shortlist ready, lean toward the entry nobody you know discusses; a plain, famous exclusive is where thousands of other entrants will land. Keep two backups in reserve in case the first pick proves to be a licence rather than a true original. Finally, confirm release year and commissioning studio on the title's own page.
Get a hint
Begin in the rows each service reserves for its own commissions, then push outward into regional, animated and documentary shelves where the marketing budget stops.
A little more
The label has been running for over a decade, so early streaming-era commissions sit beside this season's launches whenever the service released them under its own banner.
One step further
Weigh the quiet end of the catalogue: one-off specials, short-run comedies, subtitled dramas and children's animation are where the list thins and an unusual pick is easiest to defend.
Reveal answers 8,679
- Lady VoyeurDeep Cut85points
- Ladybug & Cat Noir: The MovieDeep Cut85points
- Laerte-seDeep Cut85points
- Lainey Wilson: Keepin' Country CoolDeep Cut85points
- Lali: Time to Step UpDeep Cut85points
- LALIGA: All AccessDeep Cut85points
- Lambert vs. Lambert: Over His Dead BodyDeep Cut85points
- Lamp LifeDeep Cut85points
- Land of SinDeep Cut85points
- Land of TanabataDeep Cut85points
- Land of WomenDeep Cut85points
- LandlineDeep Cut85points
- Landscape with Invisible HandDeep Cut85points
- Lang Lang Plays DisneyDeep Cut85points
- Langston Kerman: Bad PoetryDeep Cut85points
- Lano & Woodley: FlyDeep Cut85points
- Larissa: The Other Side of AnittaDeep Cut85points
- Larry Charles' Dangerous World of ComedyDeep Cut85points
- Larva FamilyDeep Cut85points
- Larva IslandDeep Cut85points
- Larva PendantDeep Cut85points
- Last BulletDeep Cut85points
- Last Call for IstanbulDeep Cut85points
- Last Chance U: BasketballDeep Cut85points
- Last Exit SchinkenstraßeDeep Cut85points
- Last Flag FlyingDeep Cut85points
- Last HopeDeep Cut85points
- Last One StandingDeep Cut85points
- Last Samurai StandingDeep Cut85points
- Last SeenDeep Cut85points
- Last Trace with Kaelyn MooreDeep Cut85points
- Late NightDeep Cut85points
- Latin Blood - The Ballad of Ney MatogrossoDeep Cut85points
- Latte and the Magic WaterstoneDeep Cut85points
- Laughing on the InsideDeep Cut85points
- LaunchpadDeep Cut85points
- Lava Ka DhaavaDeep Cut85points
- LawDeep Cut85points
- Law and the CityDeep Cut85points
- Law SchoolDeep Cut85points
- Layla M.Deep Cut85points
- Layla MajnunDeep Cut85points
- LazarusDeep Cut85points
- Le Mans: Racing Is EverythingDeep Cut85points
- Le PupilleDeep Cut85points
- Lead ChildrenDeep Cut85points
- Lead Me HomeDeep Cut85points
- LeanneDeep Cut85points
- Leanne Morgan: I'm Every WomanDeep Cut85points
- Leanne Morgan: Unspeakable ThingsDeep Cut85points
Why these answers count
The score spread is telling. Of 8,679 recorded answers, 8,634 cleared sixty points and 8,096 of those landed on eighty-five, so almost every valid pick earned the same reward and the ranking barely separates one genuine exclusive from another. A single entrant reached one hundred, and 537 answers halted at sixty. That solitary hundred-pointer is the entire contest: a title like Comrade Detective paid off because hardly anyone else named it, whereas ¡Que viva México! and (Un)lucky Sisters collected the standard eighty-five. Fame is not what moves the number. A celebrated exclusive and a forgotten one pay identically unless the choice is genuinely rare, which is why picking something recognisable buys nothing. The 537 answers stuck at sixty most likely sit on arguable ground, where original status can be disputed through a co-production or an earlier broadcast elsewhere. To beat eighty-five you need a title so lightly discussed that you are the only entrant to mention it.