Krillion Recorded answers
8,679 recorded answers
How to approach it
Work through the four catalogues separately instead of holding all of them in mind at once. Take one service, then move shelf by shelf: headline launches first, then animation, documentary, stand-up and the regional hubs that only appear once the region setting changes. Note every title carrying the service's own branding, and double-check the half-remembered ones, since plenty of films that feel like acquisitions turn out to be in-house commissions. With a shortlist ready, lean toward the entry nobody you know discusses; a plain, famous exclusive is where thousands of other entrants will land. Keep two backups in reserve in case the first pick proves to be a licence rather than a true original. Finally, confirm release year and commissioning studio on the title's own page.
Get a hint
Begin in the rows each service reserves for its own commissions, then push outward into regional, animated and documentary shelves where the marketing budget stops.
A little more
The label has been running for over a decade, so early streaming-era commissions sit beside this season's launches whenever the service released them under its own banner.
One step further
Weigh the quiet end of the catalogue: one-off specials, short-run comedies, subtitled dramas and children's animation are where the list thins and an unusual pick is easiest to defend.
Reveal answers 8,679
- Louis Armstrong's Black & BluesDeep Cut85points
- Louis C.K. 2017Deep Cut85points
- Louis C.K.: RidiculousDeep Cut85points
- Louis Theroux: Inside the ManosphereDeep Cut85points
- Lov3Deep Cut85points
- LoveDeep Cut85points
- Love (ft. Marriage and Divorce)Deep Cut85points
- Love & AnarchyDeep Cut85points
- Love & FriendshipDeep Cut85points
- Love & GelatoDeep Cut85points
- Love 101Deep Cut85points
- Love AccidentallyDeep Cut85points
- Love AddictsDeep Cut85points
- Love After MusicDeep Cut85points
- Love AlarmDeep Cut85points
- Love and LeashesDeep Cut85points
- Love and MonstersDeep Cut85points
- Love and WineDeep Cut85points
- Love at First KissDeep Cut85points
- Love at First SightDeep Cut85points
- Love Con RevengeDeep Cut85points
- Love DeadlineDeep Cut85points
- Love ForeverDeep Cut85points
- Love from 9 to 5Deep Cut85points
- Love HardDeep Cut85points
- Love in 39 DegreesDeep Cut85points
- Love in DisguiseDeep Cut85points
- Love in Slow MotionDeep Cut85points
- Love in SyncDeep Cut85points
- Love in the VillaDeep Cut85points
- Love Is Blind Brazil: After the AltarDeep Cut85points
- Love Is Blind, HabibiDeep Cut85points
- Love Is Blind: ArgentinaDeep Cut85points
- Love Is Blind: BrazilDeep Cut85points
- Love Is Blind: FranceDeep Cut85points
- Love Is Blind: GermanyDeep Cut85points
- Love Is Blind: ItalyDeep Cut85points
- Love Is Blind: JapanDeep Cut85points
- Love Is Blind: MexicoDeep Cut85points
- Love Is Blind: NetherlandsDeep Cut85points
- Love Is Blind: PolandDeep Cut85points
- Love Is Blind: South AfricaDeep Cut85points
- Love Is Blind: SwedenDeep Cut85points
- Love Is Blind: UKDeep Cut85points
- Love Is for the StrongDeep Cut85points
- Love Is in the AirDeep Cut85points
- Love Is Never GoneDeep Cut85points
- Love Island FranceDeep Cut85points
- Love Like a K-DramaDeep Cut85points
- Love Like the Falling PetalsDeep Cut85points
Why these answers count
The score spread is telling. Of 8,679 recorded answers, 8,634 cleared sixty points and 8,096 of those landed on eighty-five, so almost every valid pick earned the same reward and the ranking barely separates one genuine exclusive from another. A single entrant reached one hundred, and 537 answers halted at sixty. That solitary hundred-pointer is the entire contest: a title like Comrade Detective paid off because hardly anyone else named it, whereas ¡Que viva México! and (Un)lucky Sisters collected the standard eighty-five. Fame is not what moves the number. A celebrated exclusive and a forgotten one pay identically unless the choice is genuinely rare, which is why picking something recognisable buys nothing. The 537 answers stuck at sixty most likely sit on arguable ground, where original status can be disputed through a co-production or an earlier broadcast elsewhere. To beat eighty-five you need a title so lightly discussed that you are the only entrant to mention it.