Krillion Recorded answers
8,679 recorded answers
How to approach it
Work through the four catalogues separately instead of holding all of them in mind at once. Take one service, then move shelf by shelf: headline launches first, then animation, documentary, stand-up and the regional hubs that only appear once the region setting changes. Note every title carrying the service's own branding, and double-check the half-remembered ones, since plenty of films that feel like acquisitions turn out to be in-house commissions. With a shortlist ready, lean toward the entry nobody you know discusses; a plain, famous exclusive is where thousands of other entrants will land. Keep two backups in reserve in case the first pick proves to be a licence rather than a true original. Finally, confirm release year and commissioning studio on the title's own page.
Get a hint
Begin in the rows each service reserves for its own commissions, then push outward into regional, animated and documentary shelves where the marketing budget stops.
A little more
The label has been running for over a decade, so early streaming-era commissions sit beside this season's launches whenever the service released them under its own banner.
One step further
Weigh the quiet end of the catalogue: one-off specials, short-run comedies, subtitled dramas and children's animation are where the list thins and an unusual pick is easiest to defend.
Reveal answers 8,679
- Mother/AndroidDeep Cut85points
- Motherland: Fort SalemDeep Cut85points
- MotoGP: UnlimitedDeep Cut85points
- MotorheadsDeep Cut85points
- MotorvalleyDeep Cut85points
- Motown MagicDeep Cut85points
- Mountain Queen: The Summits of Lhakpa SherpaDeep Cut85points
- MourinhoDeep Cut85points
- MousetrapDeep Cut85points
- MoveDeep Cut85points
- Move to HeavenDeep Cut85points
- MovingDeep Cut85points
- Mowgli: Legend of the JungleDeep Cut85points
- MoxieDeep Cut85points
- Mozart in the JungleDeep Cut85points
- MPowerDeep Cut85points
- Mr. Car and the Knights TemplarDeep Cut85points
- Mr. CormanDeep Cut85points
- Mr. Dressup: The Magic of Make-BelieveDeep Cut85points
- Mr. Good: Cop or Crook?Deep Cut85points
- Mr. Harrigan's PhoneDeep Cut85points
- Mr. IglesiasDeep Cut85points
- Mr. McMahonDeep Cut85points
- Mr. PlanktonDeep Cut85points
- Mr. ScorseseDeep Cut85points
- Mr. SunshineDeep Cut85points
- Mrs PlaymenDeep Cut85points
- Mrs. ChristmasDeep Cut85points
- Mrs. DavisDeep Cut85points
- Mrs. Serial KillerDeep Cut85points
- Ms. Pat: Y'all Wanna Hear Something Crazy?Deep Cut85points
- Mucho Mucho Amor: The Legend of Walter MercadoDeep Cut85points
- Mud, Sweat and Tears: Premiership RugbyDeep Cut85points
- MulliganDeep Cut85points
- Mumbai Diaries 26/11Deep Cut85points
- Mumbai Mafia: Police vs the UnderworldDeep Cut85points
- Munafik 2Deep Cut85points
- Munich: The Edge of WarDeep Cut85points
- Muppets Haunted MansionDeep Cut85points
- Muppets NowDeep Cut85points
- Murai in LoveDeep Cut85points
- Murder 101Deep Cut85points
- Murder Among the MormonsDeep Cut85points
- Murder by the CoastDeep Cut85points
- Murder in GaliciaDeep Cut85points
- Murder in MonacoDeep Cut85points
- Murder MindfullyDeep Cut85points
- Murder MountainDeep Cut85points
- Murder MubarakDeep Cut85points
- Murder to Mercy: The Cyntoia Brown StoryDeep Cut85points
Why these answers count
The score spread is telling. Of 8,679 recorded answers, 8,634 cleared sixty points and 8,096 of those landed on eighty-five, so almost every valid pick earned the same reward and the ranking barely separates one genuine exclusive from another. A single entrant reached one hundred, and 537 answers halted at sixty. That solitary hundred-pointer is the entire contest: a title like Comrade Detective paid off because hardly anyone else named it, whereas ¡Que viva México! and (Un)lucky Sisters collected the standard eighty-five. Fame is not what moves the number. A celebrated exclusive and a forgotten one pay identically unless the choice is genuinely rare, which is why picking something recognisable buys nothing. The 537 answers stuck at sixty most likely sit on arguable ground, where original status can be disputed through a co-production or an earlier broadcast elsewhere. To beat eighty-five you need a title so lightly discussed that you are the only entrant to mention it.