Krillion Recorded answers
8,679 recorded answers
How to approach it
Work through the four catalogues separately instead of holding all of them in mind at once. Take one service, then move shelf by shelf: headline launches first, then animation, documentary, stand-up and the regional hubs that only appear once the region setting changes. Note every title carrying the service's own branding, and double-check the half-remembered ones, since plenty of films that feel like acquisitions turn out to be in-house commissions. With a shortlist ready, lean toward the entry nobody you know discusses; a plain, famous exclusive is where thousands of other entrants will land. Keep two backups in reserve in case the first pick proves to be a licence rather than a true original. Finally, confirm release year and commissioning studio on the title's own page.
Get a hint
Begin in the rows each service reserves for its own commissions, then push outward into regional, animated and documentary shelves where the marketing budget stops.
A little more
The label has been running for over a decade, so early streaming-era commissions sit beside this season's launches whenever the service released them under its own banner.
One step further
Weigh the quiet end of the catalogue: one-off specials, short-run comedies, subtitled dramas and children's animation are where the list thins and an unusual pick is easiest to defend.
Reveal answers 8,679
- MurdervilleDeep Cut85points
- Musafir CafeDeep Cut85points
- Muscles & Mayhem: An Unauthorized Story of American GladiatorsDeep Cut85points
- Music by John WilliamsDeep Cut85points
- Music PlaylistDeep Cut85points
- Music TeacherDeep Cut85points
- MúsicaDeep Cut85points
- MuteDeep Cut85points
- MutedDeep Cut85points
- Mutiny of the Worker BeesDeep Cut85points
- My AmandaDeep Cut85points
- My ApologiesDeep Cut85points
- My Beautiful Broken BrainDeep Cut85points
- My Best FriendDeep Cut85points
- My Best Friend Anne FrankDeep Cut85points
- My Best Friend, His Girlfriend and MeDeep Cut85points
- My Best Friend's ExorcismDeep Cut85points
- My Brilliant CareerDeep Cut85points
- My Brother the MinotaurDeep Cut85points
- My Brother, My SisterDeep Cut85points
- My Country: The New AgeDeep Cut85points
- My Crazy Feminist GirlfriendDeep Cut85points
- My Dad the Bounty HunterDeep Cut85points
- My DaemonDeep Cut85points
- My Daughter's FatherDeep Cut85points
- My Daughter's KillerDeep Cut85points
- My Dearest AssassinDeep Cut85points
- My Dearest SeñoritaDeep Cut85points
- My DemonDeep Cut85points
- My Encounter with EvilDeep Cut85points
- My Fake BoyfriendDeep Cut85points
- My FamilyDeep Cut85points
- My Father, the BTK KillerDeep Cut85points
- My Father's DragonDeep Cut85points
- My Father's ViolinDeep Cut85points
- My FaultDeep Cut85points
- My Fault: LondonDeep Cut85points
- My First First LoveDeep Cut85points
- My Happy FamilyDeep Cut85points
- My Happy MarriageDeep Cut85points
- My Heroes Were CowboysDeep Cut85points
- My Holo LoveDeep Cut85points
- My Home HeroDeep Cut85points
- My Husband Won't FitDeep Cut85points
- My Kind of CountryDeep Cut85points
- My Korean BoyfriendDeep Cut85points
- My Lady JaneDeep Cut85points
- My Liberation NotesDeep Cut85points
- My Little Pony: A New GenerationDeep Cut85points
- My Little Pony: Make Your MarkDeep Cut85points
Why these answers count
The score spread is telling. Of 8,679 recorded answers, 8,634 cleared sixty points and 8,096 of those landed on eighty-five, so almost every valid pick earned the same reward and the ranking barely separates one genuine exclusive from another. A single entrant reached one hundred, and 537 answers halted at sixty. That solitary hundred-pointer is the entire contest: a title like Comrade Detective paid off because hardly anyone else named it, whereas ¡Que viva México! and (Un)lucky Sisters collected the standard eighty-five. Fame is not what moves the number. A celebrated exclusive and a forgotten one pay identically unless the choice is genuinely rare, which is why picking something recognisable buys nothing. The 537 answers stuck at sixty most likely sit on arguable ground, where original status can be disputed through a co-production or an earlier broadcast elsewhere. To beat eighty-five you need a title so lightly discussed that you are the only entrant to mention it.